The Edit Process
The 9-step Edit Process, as explained from Grammar of the Edit by Christopher J. Bowen and Roy Thomson.
Category Archives: Final Cut Pro
Codecs- a great breakdown from David Kong and Phillip Bloom
Originally posted on Stanislaw Robert Luberda:
In my day to day work of training one of the more stickier things my clients and students deal with is wrangling the world…
Tilt Shift in 3
Thanks to Vimeo Video School, Drempt can share this super quick tip on how to perform a tilt shift with Final Cut Studio! And it’ll only take three minutes! Thanks […]
Drempt up this little teaser…
Before your check out the interview on this NYC via Orlando alternative soul crooner, check out the teaser Drempt created for the interview with Peter Baldwin featured on CultureClimax.com. Check […]
The Reality of Editing Reality
This is the true story of 2 platforms picked to work together, and edit people who’s lives are taped, to find out what happens when Post people stop being polite, […]
An Editor’s Eye
I am not a videographer. Although, I can operate a camera, I do not have the training to title myself Director of Photography. I have taken news and field camera […]
Video Editing in 2011: My how things have changed…
This year has brought a lot of changes to the world of video editing. FCP X was introduced this spring to mixed reviews. On one hand, Larry Jordan, industry guru, was a […]
Editing Tip-Top Tips
Quick question… What were the best editing tips you’ve heard? Where did you pick up those tips? Did you acquire them on you own or stumble upon them? Drempt wants […]
It’s all a Blur
Drempt wants to get back into sharing tutorials. There are so many great resources out there worth sharing; here’s one tutorial that’s great to keep in your back pocket. Blurring […]
All travel (mattes) start with a first step..
Who doesn’t want to enhance their videos? A great way to add some visual excitement is to utilize the mattes! As Genius DV so eloquently describes “travel mattes can add […]
Drempt: Creativity and Productivity Blog 